Four-Foot-Eleven
Stefanie S. Gardner:
lady, Christian, crazy, happy, sad, human, painter, lover, fighter, sister, daughter, long-haired, bad-singer, four-foot-eleven. Just human.
"I only meant to repay some of the joy you sent my way"
Four-Foot-Eleven
frickyeah1990s:

No, forget that floppy disk table, I need this table.
fuckyeahtattoos:

Made: last month, Alain head-Lima, Perú. 
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rachellmariee:

casualcynic:

So my mom and I have been working the same waitress job for 5-6 years now. She had been waitressing years before, but this is recently. Anyway, about… 15 minutes ago this guy she waited on left and told her to take care. Just that. Prior to this she had talked to him about Italy. Her people are from Florence, this and that, and she said she’s never been. She’s got 8 years of art education and she’s working a waitress job. It’s pretty… Sad and disappointing, I guess. Her and my father divorced 6 years ago and she hasn’t had a real job ever. Just been stuck in a small town she’s not from.
This man who we have never seen before tipped her 1000 dollars for a trip to Italy. Walked out, not another word.
…you know. Just when I start to lose faith in humanity….Hm.



That would be a sight, I would cry.
ryou1174:

I have a breakfast date with her, but I came too early… It’s a bright morning, so I went camping in front of Osaka City Central Public Hall and finish up my drawing.
Q: smoke weed all day all night
Asked by Anonymous
1000drawings:

by wawawiwadesign !
cjwho:

102-Year-Old Abandoned Ship is a Floating Forest / Image by Andy Brill
The SS Ayrfield is one of many decommissioned ships in the Homebush Bay, just west of Sydney, but what separates it from the other stranded vessels is the incredible foliage that adorns the rusted hull. The beautiful spectacle, also referred to as The Floating Forest, adds a bit of life to the area, which happens to be a sort of ship graveyard.
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estimfalos:

Reading between the lines - Gijs Van Vaerenbergh
Depending on the perspective of the viewer, the church is either perceived as a massive building, or dissolves — partly or completely — into the landscape. Those viewers that look from the inside of the church to the outside, on the other hand, witness an abstract play of lines that reshapes the surrounding landscape. In this way, church and landscape can both be considered part of the work — hence also its title, which implies that to read between the lines, one must also read the lines themselves. In other words: the church makes the subjective experience of the landscape visible, and vice versa.
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estimfalos:

Reading between the lines - Gijs Van Vaerenbergh
Depending on the perspective of the viewer, the church is either perceived as a massive building, or dissolves — partly or completely — into the landscape. Those viewers that look from the inside of the church to the outside, on the other hand, witness an abstract play of lines that reshapes the surrounding landscape. In this way, church and landscape can both be considered part of the work — hence also its title, which implies that to read between the lines, one must also read the lines themselves. In other words: the church makes the subjective experience of the landscape visible, and vice versa.
Read more
estimfalos:

Reading between the lines - Gijs Van Vaerenbergh
Depending on the perspective of the viewer, the church is either perceived as a massive building, or dissolves — partly or completely — into the landscape. Those viewers that look from the inside of the church to the outside, on the other hand, witness an abstract play of lines that reshapes the surrounding landscape. In this way, church and landscape can both be considered part of the work — hence also its title, which implies that to read between the lines, one must also read the lines themselves. In other words: the church makes the subjective experience of the landscape visible, and vice versa.
Read more
estimfalos:

Reading between the lines - Gijs Van Vaerenbergh
Depending on the perspective of the viewer, the church is either perceived as a massive building, or dissolves — partly or completely — into the landscape. Those viewers that look from the inside of the church to the outside, on the other hand, witness an abstract play of lines that reshapes the surrounding landscape. In this way, church and landscape can both be considered part of the work — hence also its title, which implies that to read between the lines, one must also read the lines themselves. In other words: the church makes the subjective experience of the landscape visible, and vice versa.
Read more